تجلّيات الموروث الإنساني في بنية الشعر العباسي ورؤاه الجمالية
DOI:
https://doi.org/10.25130/jfa.18.66.1.5الكلمات المفتاحية:
الموروث الإنساني، الشعر العباسي، الإبداع والتوليدالملخص
يكن الشعر العباسي نتاجَ مرحلة أدبية منفصلة عمّا سبقها، وإنما جاء في سياق حركة حضارية واسعة تفاعلت فيها معارف الأمم وتجارب الشعوب ومختلف رؤاها الفكرية والجمالية. وقد انعكس هذا التفاعل على القصيدة العباسية، التي اتسعت موضوعاتها ورؤاها، فلم تعد تعبر عن بيئتها المحلية وحدها، وإنما انفتحت على تجارب إنسانية وثقافية متعددة. وفي ظل هذا الانفتاح، حضر الموروث الإنساني في النص الشعري بوصفه عنصرًا فاعلًا في تشكيل التجربة الشعرية، وليس مجرد استعادة لمعارف أو صور تنتمي إلى الماضي، إذ عمد الشاعر إلى الإفادة منه وإعادة توظيفه بما يتلاءم مع رؤيته الخاصة وطبيعة تجربته.
لقد هدف هذا البحث إلى استجلاء تجليات الموروث الإنساني في بنية الشعر العباسي ورؤاه الجمالية، والكشف عن آليات حضوره في تشكيل اللغة والصورة والرؤية الفكرية. إذ استطاع الشاعر العباسي أن يستوعب عناصر هذا الموروث،
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